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No to Fascism! V. Koretskij, 1977
NotoFascism.jpg

Darker Shades of Red
Soviet Propaganda from the Cold War Era

Darker Shades of Red provides visitors with a rare opportunity to revisit the Cold War period through the exploration of the Soviet Union’s official imagery. Strikingly graphic in its socialist imagery, the collection reveals the economic, social and political ideology of the Soviet Union from the mid 1940s to 1990.

 

From the time of the Bolshevik Revolution and after, the poster has been a persuasive source for Soviet ideology. Leaders placed a high priority on communicating the ideas of revolution, socialism and social responsibility to its citizenry. Posters were used to shape and direct mass consciousness in accordance with Communist Party objectives. Symbolic images of Soviet leaders, soldiers, workers, and peasants were common heroic motifs; images of machinery symbolized productivity in industry and farming. Locomotives, sputniks and rockets suggested progress and achievement. This patriotic information was communicated to the public through dynamic compositions that combined figures, text (often poetry) and geometric blocks of color.

 

Post World War II tensions between the Soviet Union and the West lead to the beginning of the Cold War. Fear of nuclear proliferation and anti-west sentiments were often reflected in Soviet posters during the decades that followed. Civil defense posters illustrated how to prepare for a nuclear attack. Caricatures of American and British leaders depicted the West and its political structure as the enemy of the Soviet people.

 

Propaganda images also filtered down into the homes and daily lives of people. All schools, shops, factories, apartment buildings and public spaces were splashed with Soviet images. In this closed society, there were no competing images; people were exposed only to what was seen as fulfilling the goals of the Party. Common objects such as postcards and even children’s books had to reinforce Communist objectives. By looking at these official images, we are given an insider’s perspective into life in a totalitarian society.

Youth organization pins and IDs, c. 1980
Komsomolpins.jpg

Bust of V. Lenin, N. Teplov, aluminum, 1977
SculptLenin.jpg

To Be Stopped! E. Kazhdan, 1981
DS.19ToBeStopped.jpg

After Work, To the Stadium! E. Arzrunyan, 1986
DS.31.jpg

Our Knowlege, Experience and Skills-
OurKnowledge.jpg
To the Motherland, A. Dobrov, 1981

Increasing the Yield is the Main Goal of Agr.
YieldisMainGoal.jpg
Solovjev, 1952

Leninism- Our Banner, V. Ivanov, 1982
LeninismOurBanner.jpg

He Who Guards the Nation Deserves our Veneration
DS.21.jpg
O. Savostyuk, 1968

My Service in Space is for the Motherland!
SpaceSentryfortheMotherland.jpg
Babin, Ovasapov, and Yakushin, 1983

USSR Be Alert! P. Veremenko, 1968
DS.18.jpg

Includes: 55 framed vintage posters and 85 assorted Soviet artifacts dating from the mid 1940s to 1990.
 

Fee: $6,500 (8 weeks)*; $9,000 (12 weeks)*

*Insurance and roundtrip transportation costs not included in rental fee.              

 

Space: approximately 1,500 to 2,000 sq. ft.

 

Security: Low (exhibit cases required for all small case material)

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Links to press material and related information:

Snite Museum of Art, Univeristy of Notre Dame- 2003 Illinois Times

Snite Museum of Art, Univeristy of Notre Dame- 2004 Observer

 
 
 
Book with images from Darker Shades of Red collection:

Hitler, Stalin and Mussolini: Totalitarianism in the 20th Century by Dr. Bruce Pauley- 2003

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